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How to listen to and understand great music [videorecording] / The Teaching Company

By: Contributor(s): Material type: FilmFilmPublisher number: PB700A | Teaching Company700A-01 | Teaching Company700A-02 | Teaching CompanySeries: Great courses (DVD)Publication details: Chantilly, VA : Teaching Company, c2006Edition: 3rd edDescription: 12 videodiscs : sd., col. ; 4 3/4 in. + 1 guidebook (viii, 298 p. ; 19 cm.)ISBN:
  • 1598032704
  • 9781598032703
Subject(s): Genre/Form: DDC classification:
  • 780.9 22 G798H
LOC classification:
  • MT90 .G74 2006
Contents:
Lecture 1: Music as a mirror -- Lecture 2: Sources--the ancient world and the early church -- Lecture 3: The Middle Ages -- Lecture 4: Introduction to the Renaissance -- Lecture 5: The Renaissance Mass -- Lecture 6: The madrigal -- Lecture 7: An introduction to the Baroque Era -- Lecture 8: Style features of Baroque-era music -- Lecture 9: National styles--Italy and Germany -- Lecture 10: Fugue -- Lecture 11: Baroque opera, part 1 -- Lecture 12: Baroque opera, part 2 -- Lecture 13: The oratorio -- Lecture 14: The Lutheran Church cantata -- Lecture 15: Passacaglia -- Lecture 16: Ritornello form and the Baroque concerto -- Lecture 17: The Enlightenment and an introduction to the classical era -- Lecture 18: The Viennese classical style--Homophony and cadence -- Lecture 19: Classical-era form--Theme and variations -- Lecture 20: Classical-era form--Minuet and trio : Baroque antecedents -- Lecture 21: Classical-era form--Minuet and trio form -- Lecture 22: Classical-era form--Rondo form -- Lecture 23: Classical-era form--Sonata form, part 1 -- Lecture 24: Classical-era form--Sonata form, part 2 -- Lecture 25: Classical-era form--Sonata form, part 3 -- Lecture 26: The symphony--Music for every person -- Lecture 27: The solo concerto -- Lecture 28: Classical-era opera--The rise of opera buffa -- Lecture 29: Classical-era opera, part 2--Mozart and the operatic ensemble -- Lecture 30: The French Revolution and an introduction to Beethoven -- Lecture 31: Beethoven's Symphony no. 5 in C Minor, op. 67, part 1 -- Lecture 32: Beethoven's Symphony no. 5 in C Minor, op. 67, part 2 -- Lecture 33: Introduction to Romanticism -- Lecture 34: Formal challenges and solutions in early romantic music -- Lecture 35: The program symphony--Berlioz's Symphonie fantastique, part 1 -- Lecture 36: The program symphony--Berlioz's Symphonie fantastique, part 2 -- Lecture 37: 19th-century Italian opera--Bel Canto opera -- Lecture 38: 19th-century Italian opera--Guiseppe Verdi -- Lecture 39: 19th-century German opera--Nationalism and experimentation -- Lecture 40: 19th-century German opera--Richard Wagner -- Lecture 41: The concert overture, part 1 -- Lecture 42: The concert overture, part 2 -- Lecture 43: Romantic-era musical nationalism -- Lecture 44: Russian nationalism -- Lecture 45: An introduction to early 20th-century modernism -- Lecture 46: Early 20th-century modernism--Claude Debussy -- Lecture 47: Early 20th-century modernism--Igor Stravinsky -- Lecture 48: Early 20th-century modernism--Arnold Schönberg
Lecturer: Professor Robert Greenberg, San Francisco performancesSummary: Presents a history and criticism of music and how to listen and appreciate it
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Item type Current library Collection Call number Status Date due Barcode
Books Books Harvest Mission College General Stacks Non-fiction 780.9 G798H (Browse shelf(Opens below)) Available 004063

Title from container

Lectures 1-48 of 48 lectures on 12 discs in 6 containers

Course guidebook includes lecture outline, timeline, and glossary

Lecture 1: Music as a mirror -- Lecture 2: Sources--the ancient world and the early church -- Lecture 3: The Middle Ages -- Lecture 4: Introduction to the Renaissance -- Lecture 5: The Renaissance Mass -- Lecture 6: The madrigal -- Lecture 7: An introduction to the Baroque Era -- Lecture 8: Style features of Baroque-era music -- Lecture 9: National styles--Italy and Germany -- Lecture 10: Fugue -- Lecture 11: Baroque opera, part 1 -- Lecture 12: Baroque opera, part 2 -- Lecture 13: The oratorio -- Lecture 14: The Lutheran Church cantata -- Lecture 15: Passacaglia -- Lecture 16: Ritornello form and the Baroque concerto -- Lecture 17: The Enlightenment and an introduction to the classical era -- Lecture 18: The Viennese classical style--Homophony and cadence -- Lecture 19: Classical-era form--Theme and variations -- Lecture 20: Classical-era form--Minuet and trio : Baroque antecedents -- Lecture 21: Classical-era form--Minuet and trio form -- Lecture 22: Classical-era form--Rondo form -- Lecture 23: Classical-era form--Sonata form, part 1 -- Lecture 24: Classical-era form--Sonata form, part 2 -- Lecture 25: Classical-era form--Sonata form, part 3 -- Lecture 26: The symphony--Music for every person -- Lecture 27: The solo concerto -- Lecture 28: Classical-era opera--The rise of opera buffa -- Lecture 29: Classical-era opera, part 2--Mozart and the operatic ensemble -- Lecture 30: The French Revolution and an introduction to Beethoven -- Lecture 31: Beethoven's Symphony no. 5 in C Minor, op. 67, part 1 -- Lecture 32: Beethoven's Symphony no. 5 in C Minor, op. 67, part 2 -- Lecture 33: Introduction to Romanticism -- Lecture 34: Formal challenges and solutions in early romantic music -- Lecture 35: The program symphony--Berlioz's Symphonie fantastique, part 1 -- Lecture 36: The program symphony--Berlioz's Symphonie fantastique, part 2 -- Lecture 37: 19th-century Italian opera--Bel Canto opera -- Lecture 38: 19th-century Italian opera--Guiseppe Verdi -- Lecture 39: 19th-century German opera--Nationalism and experimentation -- Lecture 40: 19th-century German opera--Richard Wagner -- Lecture 41: The concert overture, part 1 -- Lecture 42: The concert overture, part 2 -- Lecture 43: Romantic-era musical nationalism -- Lecture 44: Russian nationalism -- Lecture 45: An introduction to early 20th-century modernism -- Lecture 46: Early 20th-century modernism--Claude Debussy -- Lecture 47: Early 20th-century modernism--Igor Stravinsky -- Lecture 48: Early 20th-century modernism--Arnold Schönberg

Lecturer: Professor Robert Greenberg, San Francisco performances

Presents a history and criticism of music and how to listen and appreciate it

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